“Il flauto magico” still works: Mozart’s secret of ventilation
Identifieur interne : 000205 ( Main/Exploration ); précédent : 000204; suivant : 000206“Il flauto magico” still works: Mozart’s secret of ventilation
Auteurs : Klaus Laczika [Autriche] ; Oliver P. Graber [Autriche] ; Gerhard Tucek [Autriche] ; Alfred Lohninger [Autriche] ; Nikolaus Fliri [Autriche] ; Gertraud Berka-Schmid [Autriche] ; Eva K. Masel [Autriche] ; Christoph C. Zielinski [Autriche]Source :
- Multidisciplinary Respiratory Medicine [ 1828-695X ] ; 2013.
Abstract
Synchronisation/coupling between respiratory patterns and musical structure.
Healthy professional musicians and members of the audience were studied during a performance of W.A. Mozart’s Piano Concerto KV 449. Electrocardiogram (ECG)/Heart Rate Variability (HRV) data recording (Schiller: Medilog®AR12, ECG-channels: 3, sampling rate: 4096 Hz, 16 Bit) was carried out and a simultaneous synchronized high definition video/audio recording was made. The breathing-specific data were subsequently extracted using Electrocardiogram-derived respiration (EDR; Software: Schiller medilog®DARWIN) from the HRV data and overlaid at the same time onto the musical score using FINALE 2011 notation software and the GIMP 2.0 graphics programme. The musical score was graphically modified graphically so that the time code of the breathing signals coincided exactly with the notated musical elements. Thus a direct relationship could be produced between the musicians’ breathing activity and the musical texture. In parallel with the medical/technical analysis, a music analysis of the score was conducted with regard to the style and formal shaping of the composition.
It was found that there are two archetypes of ideally typical breathing behaviour in professional musicians that either drive the musical creation, performance and experience or are driven by the musical structure itself. These archetypes also give rise to various states of synchronisation and regulation between performers, audience and the musical structure.
There are two archetypes of musically-induced breathing which not only represent the identity of music and human physiology but also offer new approaches for multidisciplinary respiratory medicine.
Url:
DOI: 10.1186/2049-6958-8-23
PubMed: 23509946
PubMed Central: 3608996
Affiliations:
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Graber</name><affiliation wicri:level="3"><nlm:aff id="I2">University of Music and Performing Arts Vienna, Institute 13 for Music and Movement Education, and Music Therapy, Rennweg 8, Vienna, 1030, Austria</nlm:aff><country xml:lang="fr">Autriche</country><wicri:regionArea>University of Music and Performing Arts Vienna, Institute 13 for Music and Movement Education, and Music Therapy, Rennweg 8, Vienna, 1030</wicri:regionArea><placeName><region type="land" nuts="2">Vienne (Autriche)</region><settlement type="city">Vienne (Autriche)</settlement></placeName></affiliation></author><author><name sortKey="Tucek, Gerhard" sort="Tucek, Gerhard" uniqKey="Tucek G" first="Gerhard" last="Tucek">Gerhard Tucek</name><affiliation wicri:level="1"><nlm:aff id="I3">IMC University of Applied Sciences, Piaristengasse 1, Krems, 3500, Austria</nlm:aff><country xml:lang="fr">Autriche</country><wicri:regionArea>IMC University of Applied Sciences, Piaristengasse 1, Krems, 3500</wicri:regionArea><wicri:noRegion>3500</wicri:noRegion></affiliation></author><author><name sortKey="Lohninger, Alfred" sort="Lohninger, Alfred" uniqKey="Lohninger A" first="Alfred" last="Lohninger">Alfred Lohninger</name><affiliation wicri:level="3"><nlm:aff id="I4">Autonom Health, Cobenzlgasse 74-76/Top 1, Vienna, 1190, Austria</nlm:aff><country xml:lang="fr">Autriche</country><wicri:regionArea>Autonom Health, Cobenzlgasse 74-76/Top 1, Vienna, 1190</wicri:regionArea><placeName><region type="land" nuts="2">Vienne (Autriche)</region><settlement type="city">Vienne (Autriche)</settlement></placeName></affiliation></author><author><name sortKey="Fliri, Nikolaus" sort="Fliri, Nikolaus" uniqKey="Fliri N" first="Nikolaus" last="Fliri">Nikolaus Fliri</name><affiliation wicri:level="3"><nlm:aff id="I4">Autonom Health, Cobenzlgasse 74-76/Top 1, Vienna, 1190, Austria</nlm:aff><country xml:lang="fr">Autriche</country><wicri:regionArea>Autonom Health, Cobenzlgasse 74-76/Top 1, Vienna, 1190</wicri:regionArea><placeName><region type="land" nuts="2">Vienne (Autriche)</region><settlement type="city">Vienne (Autriche)</settlement></placeName></affiliation></author><author><name sortKey="Berka Schmid, Gertraud" sort="Berka Schmid, Gertraud" uniqKey="Berka Schmid G" first="Gertraud" last="Berka-Schmid">Gertraud Berka-Schmid</name><affiliation wicri:level="3"><nlm:aff id="I2">University of Music and Performing Arts Vienna, Institute 13 for Music and Movement Education, and Music Therapy, Rennweg 8, Vienna, 1030, Austria</nlm:aff><country xml:lang="fr">Autriche</country><wicri:regionArea>University of Music and Performing Arts Vienna, Institute 13 for Music and Movement Education, and Music Therapy, Rennweg 8, Vienna, 1030</wicri:regionArea><placeName><region type="land" nuts="2">Vienne (Autriche)</region><settlement type="city">Vienne (Autriche)</settlement></placeName></affiliation></author><author><name sortKey="Masel, Eva K" sort="Masel, Eva K" uniqKey="Masel E" first="Eva K" last="Masel">Eva K. Masel</name><affiliation wicri:level="1"><nlm:aff id="I1">Medical University of Vienna, Department of Internal Medicine 1, Division of Palliative Care, Waehringer Guertel 18-20, Vienna 1090, Austria</nlm:aff><country xml:lang="fr">Autriche</country><wicri:regionArea>Medical University of Vienna, Department of Internal Medicine 1, Division of Palliative Care, Waehringer Guertel 18-20, Vienna 1090</wicri:regionArea><placeName><settlement type="city">Vienne (Autriche)</settlement><region nuts="2" type="province">Vienne (Autriche)</region></placeName></affiliation></author><author><name sortKey="Zielinski, Christoph C" sort="Zielinski, Christoph C" uniqKey="Zielinski C" first="Christoph C" last="Zielinski">Christoph C. Zielinski</name><affiliation wicri:level="1"><nlm:aff id="I1">Medical University of Vienna, Department of Internal Medicine 1, Division of Palliative Care, Waehringer Guertel 18-20, Vienna 1090, Austria</nlm:aff><country xml:lang="fr">Autriche</country><wicri:regionArea>Medical University of Vienna, Department of Internal Medicine 1, Division of Palliative Care, Waehringer Guertel 18-20, Vienna 1090</wicri:regionArea><placeName><settlement type="city">Vienne (Autriche)</settlement><region nuts="2" type="province">Vienne (Autriche)</region></placeName></affiliation></author></analytic><series><title level="j">Multidisciplinary Respiratory Medicine</title><idno type="ISSN">1828-695X</idno><idno type="e-ISSN">2049-6958</idno><imprint><date when="2013">2013</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en"><sec><title>Background</title><p>Synchronisation/coupling between respiratory patterns and musical structure.</p></sec><sec><title>Methods</title><p>Healthy professional musicians and members of the audience were studied during a performance of W.A. Mozart’s Piano Concerto KV 449. Electrocardiogram (ECG)/Heart Rate Variability (HRV) data recording (Schiller: Medilog<sup>®</sup>AR12, ECG-channels: 3, sampling rate: 4096 Hz, 16 Bit) was carried out and a simultaneous synchronized high definition video/audio recording was made. The breathing-specific data were subsequently extracted using Electrocardiogram-derived respiration (EDR; Software: Schiller medilog<sup>®</sup>DARWIN) from the HRV data and overlaid at the same time onto the musical score using FINALE 2011 notation software and the GIMP 2.0 graphics programme. The musical score was graphically modified graphically so that the time code of the breathing signals coincided exactly with the notated musical elements. Thus a direct relationship could be produced between the musicians’ breathing activity and the musical texture. In parallel with the medical/technical analysis, a music analysis of the score was conducted with regard to the style and formal shaping of the composition.</p></sec><sec><title>Results</title><p>It was found that there are two archetypes of ideally typical breathing behaviour in professional musicians that either drive the musical creation, performance and experience or are driven by the musical structure itself. These archetypes also give rise to various states of synchronisation and regulation between performers, audience and the musical structure.</p></sec><sec><title>Conclusions</title><p>There are two archetypes of musically-induced breathing which not only represent the identity of music and human physiology but also offer new approaches for multidisciplinary respiratory medicine.</p></sec></div></front><back><div1 type="bibliography"><listBibl><biblStruct><analytic><author><name sortKey="Chakravarty, Mm" uniqKey="Chakravarty M">MM Chakravarty</name></author><author><name sortKey="Vuust, P" uniqKey="Vuust P">P Vuust</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Dawson, Wj" uniqKey="Dawson W">WJ Dawson</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Levitin, Dj" uniqKey="Levitin D">DJ Levitin</name></author><author><name sortKey="Tirovolas, Ak" uniqKey="Tirovolas A">AK 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Russo</name></author><author><name sortKey="Patel, Ad" uniqKey="Patel A">AD Patel</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Rauscher, Fh" uniqKey="Rauscher F">FH Rauscher</name></author><author><name sortKey="Shaw, Gl" uniqKey="Shaw G">GL Shaw</name></author><author><name sortKey="Ky, Kn" uniqKey="Ky K">KN Ky</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Busoni, F" uniqKey="Busoni F">F Busoni</name></author></analytic></biblStruct></listBibl></div1></back></TEI><affiliations><list><country><li>Autriche</li></country><region><li>Vienne (Autriche)</li></region><settlement><li>Vienne (Autriche)</li></settlement></list><tree><country name="Autriche"><region name="Vienne (Autriche)"><name sortKey="Laczika, Klaus" sort="Laczika, Klaus" uniqKey="Laczika K" first="Klaus" last="Laczika">Klaus Laczika</name></region><name sortKey="Berka Schmid, Gertraud" sort="Berka Schmid, Gertraud" uniqKey="Berka Schmid G" first="Gertraud" last="Berka-Schmid">Gertraud Berka-Schmid</name><name sortKey="Fliri, Nikolaus" sort="Fliri, Nikolaus" uniqKey="Fliri N" first="Nikolaus" last="Fliri">Nikolaus Fliri</name><name sortKey="Graber, Oliver P" sort="Graber, Oliver P" uniqKey="Graber O" first="Oliver P" last="Graber">Oliver P. Graber</name><name sortKey="Lohninger, Alfred" sort="Lohninger, Alfred" uniqKey="Lohninger A" first="Alfred" last="Lohninger">Alfred Lohninger</name><name sortKey="Masel, Eva K" sort="Masel, Eva K" uniqKey="Masel E" first="Eva K" last="Masel">Eva K. Masel</name><name sortKey="Tucek, Gerhard" sort="Tucek, Gerhard" uniqKey="Tucek G" first="Gerhard" last="Tucek">Gerhard Tucek</name><name sortKey="Zielinski, Christoph C" sort="Zielinski, Christoph C" uniqKey="Zielinski C" first="Christoph C" last="Zielinski">Christoph C. Zielinski</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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